Just posted: Our review of the Tamron SP 24-70mm F/2.8 Di VC USD. In our latest lens review produced in collaboration with DxOMark, we look at Tamron's fast standard zoom for full frame cameras - the first in its class to include optical stabilisation. With its Ultrasonic Drive focus motor and drip-proof construction, it looks like a very tempting option for full frame shooters, especially as it costs rather less than its counterparts from Canon, Nikon or Sony. But is this all too good to be true? Click through to read our review and find out.
Our friends and collaborators over at DxOMark have recently been looking into how lenses score on specific cameras, and the latest model they've examined is the Nikon D600. In a three-part article published at the end of last week, they investigate how 70 lenses from Carl Zeiss, Nikon, Samyang, Sigma, Tamron and Tokina measure up on the D600's 24MP sensor. The article also compares how given lenses score on the D600 compared to the 36MP D800 and 24MP D3X. Click through for links to the three parts of the article.
Flickr fans may find the lure of a free terabyte attractive, but they might be put off by the accompanying advertisements that support Flickr's new free account model. A major update to the photo sharing service has completely revamped the look of accounts and restructured the way users may pay for Flickr in the future. We take a look at the changes on connect.dpreview.com.
A cover image in the latest issue of the New York Times' monthly style magazine, T, has led to an interesting discussion about the newspaper's policy on photo retouching. While editors forbid any image manipulation beyond, 'minor color-toning and brightness' in news stories, retouches and removal of blemishes are allowed in the style magazine's fashion photography. Does a newspaper risk credibility by allowing retouching on editorially-branded content? Click to read more and share your thoughts.
Lindsay Adler and Erik Valind, both working professionals and educators, have written a beginner’s guide to photographic lighting with an unusual conceit at its core. By structuring a book around a list of common challenges - what they call the 'top ten worst situations' - they've created a digestible, useful 'lighting 101' guide. In this short review, Adam Koplan takes a look at their book 'Shooting in Sh**ty Light: The Top Ten Worst Photography Lighting Situations and How to Conquer Them'.
At last week's I/O developer conference Google announced a number of upgrades to the photo section of its Google+ social network, including features such as 'Auto-Highlight', 'Auto-Enhance' and 'Auto'-Awesome'. To make the same experience available on its mobile platform the search giant has released an upgraded Google+ app for Android. Click through to Connect to find out more.
Adobe Photoshop has become ubiquitous since its introduction more than 20 years ago, but it isn't the only game in town. In this article, we've selected 10 photo editing programs that aren't all as well-known as Photoshop, but which are well worth investigating if you're looking for other options. Click through for a link to the full article.
We've been fans of Aaron Johnson's comic strip 'What the Duck' for years. 'WTD' is one of the best satirical comic strips in the world, and we're pleased to announce that we'll be publishing it weekly on dpreview.com, starting today. Click through for the first in what we hope will be a long series!
At its I/O developers conference a couple of days ago Google introduced various updates to its Google+ social networking platform, many of which will be of interest to photographers. As well as changes to layout, images can be 'auto-enhanced', made into panoramas and animations, and the system can also select the best facial expressions in group shots. Click through for more details on connect.dpreview.com.
We've just posted our 20-page review of the Nikon D5200. Nikon's 'advanced beginner' APS-C DSLR offers several features that should also appeal to enthusiasts, such as a 24MP CMOS sensor, a 39-point AF system inherited from the D7000 and an Auto ISO system linked to the focal length of the lens. Add an articulated rear LCD and the ability to output uncompressed video and you've got the makings of a very promising camera. Does the D5200 live up to its potential in real-world use? Click through to read our in-depth review.